I'm 27 and strive to be a Terminator, but I'll settle for a screenwriter instead. Spokane resident, nerd, an "eccentric who looks good in jeans."

Saturday, December 21, 2013

IPad and lulls


I got my ipad.
 
It came in the mail on Thursday, and I have spent the last couple of days playing with it. Probably one of the best purchases I have made. Especially since my laptop is out of commission right now. 

I haven't been able to daily blog for a couple of reasons. 
1. I can't get into my writing on my laptop currently. 
2. I've been pretty busy. With going to work, going to the gym, and attempting to be social, I haven't had the time to sit down and write. 

I've been really good about taking the time that I need to write daily, it's just the past week I've been feeling kind of in a lull. Maybe it's the time of the year, or just being busy. 

After the holiday, I plan to spend more time at Starbucks. Work hours will go down a little bit, which will let me write and search for jobs. 

I at least want to have a comic book completed by the end of January, and a new screenplay started. 


I guess those will be my New Years resolutions. 









Monday, December 16, 2013

Anger fuel

I've struggled with anger due to my broken heart for a while now, and I wasn't really doing anything with it, except letting it sink in and destroy the good parts in my life. It wasn't until recently when I decided to use this anger, use it for good and powerful things, that I noticed a change in my attitude. 

For example, today I dealt with student loan repayment plans. That in itself is a headache, but when they want your payments to be 711... It's way worse. Yes, seven hundred and eleven dollars. Monthly.
After talking with them and figuring things out, I was extremely frustrated. I wish I had my degree in hand, or that I could easily walk into a career, but it's harder than that. I decided to take my anger out at the gym. Best idea ever. 

Usually I go to the gym and work through what I'm feeling. I question why I'm feeling it, and if it's helpful to me. If it's not, I like to just explore it and (try) to let it go. 

My job situation will change. I will find something in my related field, or something that I love. Until that point, they will work with me on payments so I can pay on my loans and still afford to live. 

During my workout, I was focusing on this, and my future. I also unknowingly spent thirty minutes on one machine and burned over 500 calories. 

Dang. And hour and I burned my 1000. 
Workout done. 
It was so easy.
All because I was focused on a problem the entire time. 
The crazy thing? I left the gym feeling better, and even got a call for a job interview in the beginning of the new year. 

Anger fuels. 

It won't always run my life, or ignite such a fire, but for now. 

Burn it down. 

Sunday, December 15, 2013

Unfortunate laptop charger event

So my laptop charger died, and I'm trying to conserve my battery life, so I'm blogging from my phone. It's not so bad, I just don't have any of my files on my phone, so I can't really share any work for the time being. 
I should be receiving my ipad on Thursday, and then will get all the apps, and put my writing on it, so I'll be able to access it easier, and won't have to worry about my laptop for a while. I will buy a new charger, but with Christmas right by, it isn't feasable for me to purchase one. I found some on amazon for about 20 bucks which is way better than the 79 apple wants for them. 

I went out last night to celebrate my new found student-less status, and I had a wonderful time. I got drunk and had a wee bit of a hangover today, but it was totally worth it. Going out and having fun, forgetting all my troubles is something I don't do very well, so when it happens, it's really good. I even went to the gym today and burned my 1000 calories. 

Tomorrow is my day off, so I'm going to the doctor and doing some Christmas shopping. With any luck I'll find my brother something awesome, and slightly inexpensive seeing as I'm quite poor at the moment. 

I hope that tomorrow I actually have something more to blog than just about my day, but I feel like I would let myself down if I didn't at least write something! 

I'm going to watch Supernatural until I fall asleep. 

If I can end my day with the Winchesters, I'd say it's a win. 

Saturday, December 14, 2013

Comic book hopes and dreams

After my writing hiatus, I realized how much I enjoy writing comic books. Now, I've written three or four, and two of which were for classes. That is how I learned to write them, but I feel like the ones I wrote in class were super awesome, so I count them as real. I have a list of premise ideas, things that I can turn into comics at anytime, which is super helpful. If I feel like I have zero new ideas, I can go back to my old premise sheet and go from there.

This new comic that I sent off to Jeremy (Still waiting to hear if he likes it) is one that I'm really proud of. It isn't necessarily horror, but I still put my weird flare in it. I actually did write this one in class a few years ago, this was my first full length comic, and as nerve wracking as that was, I did pull off an A and even my professor told me I could do this as a living if I wanted to.

I'm thinking it would be awesome to have a booth at Spokane Comic Con again, to sit in the chair and feel important, seeing as last year I had to miss it due to extreme heart break and embarassment, It would be well worth the wait.


Maybe I'll even get myself a booth at Emerald City Comic Con one day.


Here's to hopes and dreams.

Friday, December 13, 2013

Short and not so sweet.

I've posted something everyday, and for the most part it has been fun and easy. Today on the other hand, is a different story. 

I've let my emotions get the best of me today. I've been pretty good, only having a few bad hours, rather than a few bad days, but sometimes it's hard to just, well deal. 

For me, my emotions can be tied to a lot of things, but writing is a big one. When my heart isn't it in, I can't produce anything worth reading. Which is where I'm at today. 


Good things are happening, and I have to remember that. I think I just need today to be for lack of a better word, emotional. 

Sorry you get emo me today, but at least you got something. And it's real, and hard but it's there.
 
To you:
Thanks for reading even when I'm a little down and out. Much appreciated. 

Thursday, December 12, 2013

Ominous

Today I'm going to share one of my favorite stories I have ever written. With this story I planned out a cast and even have a little bit of an idea where I would go with it for a full length screenplay.

The one thing I got criticized on the most was the fact that the couple said "I love you" too much. I did have a plan for this. There was an underlying meaning as to why they said it that much, but I didn't get the time to put it in. I plan to rewrite and make it better, and add more to the story, but this is the first draft. The one I fell in love with.

In case you were wondering, I put Rob Morrow in the spot of Paul, and Sarah Wayne Callies for Shayna. She was my choice from Prison Break, not from Walking Dead. Lori is the worst ever.


Please read and enjoy: Ominous








Premise: Shayna Miner is afraid of the dark. She has had this feat since she was four when her father was brutally murdered and her mother was attacked. Now, she is 28, married, and cant seem to shake the fear, and it is destroying her life and her marriage. On a routine evening, a man breaks into her house and makes her remember why she is afraid of the dark.

Message: The message in this story is “ When its dark, you can’t see who sees you.”

Central Question: Can Shayna get over her fear of the dark before it ruins her marriage and possibly ends her life?

Character Arc: Shayna decides that her fear is getting out of hand and wants to change it for her husband, Paul. She starts to change everything for him.







 Ominous


This was a night like any other in Lawrence, Kansas 1981. It was the middle of the night, and everyone in the town was asleep, everyone except the family that lived on Wellington Road. Inside the house, in the upstairs bedroom lays a little girl, Shayna, scared, crying and didn’t know what to do. She could hear the screeching coming for the room down the hall. She hides under her blanket, and tries to listen for something else.  Down the hall and to the left you find the parents room. There is a crack in the door where light shines through. Inside the room is a man standing by the bed, stabbing the father several times. The mother was scared and screaming, but out of fear could not move. After the father was dead, the man moved over to the mother, hitting her repeatedly with the other end of the knife until she passed out. The man went to exit the room, closed the door, and went down the hall frantically looking for the little girls room. Every door he passed he would throw open, and continue down the hallway. He finally got down to the last door on the right, and knew this had to be the one. He opened the door slowly, walking over to the bed. He pulled down the covers only to find no one in the bed. He started to walk out the door when he saw the closet. He pulls open the door forcefully, but no one was in it. He walks out of the room, goes down the stairs and out the front door. Shayna had hid under the bed until the man had left. She heard the front door close and ran down the hallway to see what had happened. She stands outside the door, “mommy, daddy?” She opens the door, and screams the most horrific scream that the city has ever heard.

            Present Day: “Dr. Miner, please report to curtain area three, Dr. Miner please report to curtain area three.” Shayna Miner comes rushing down the hallway, passing by injury and blood to get to curtain three. “Nancy, what is going on, I leave him here for five minutes and….” Nancy interrupted her before she could go on with too much of a tangent. “Shayna, calm down. The labs are back, Mr. Grey isn’t doing too well, His labs show stage two-lung cancer, and we knew that his was coming…. Shouldn’t you be out of here?” She asked in a concerned way. Shayna looked at her watch, then peeked outside to notice dusk. “Right, I will get out of here…take care for the night Mr. Grey, I will be back in the morning.” She turned, lipped thank you to Nancy, and was on her way to the staff room. She ran into the door, pushing it open with her weight. “Jules, hey, Mr. Grey Is declining, and I wanna see if we can do a surgery, I feel awful I didn’t catch it earlier, and I don’t…” Interrupted again, this time by Jules. “Shayna, its ok, I can get all the info from Nancy, you should really get going. I will see you tomorrow.” Slightly embarrassed, Shayna nodded her head and headed out of the room, passed all the sick and injured in the hallways. She exits the hospital, enters the parking garage to find her car. She looks at her watch, then looks outside. It’s getting dark earlier now. She finds her car, and drives to her house. The lights are on outside, and a few inside, just like she left it this morning. She unlocks the front door, and walks in bending down to pick up the mail that had made its way from the slot. She walks through the hallway, and on to upstairs passing by photos of her and her husband Paul from various occasions, birthdays, proms, wedding and various random photos. She heads to her closet, to pick out her most comfortable pair of sweats, and one of Paul’s sweatshirts. She changes and heads back downstairs to take place on the couch and not move for as long as possible.

            The sound of the key in the door makes a familiar sound, one that makes Shayna feel more comfortable. She knows that Paul is now home from work as well, and she can feel more at ease. “ Hey Shay, How was your day? I love you.” Saying all of this while managing the door and his briefcase. “Hey. Stressful, yours? I love you.” She responds back. Paul answers back trailing up the stairs, “I would have to say stressful as well, I’m going to change, we will talk in a minute” He loosens his tie, and gets to the bedroom. He comes back down, flipping off lights has he comes down the stairs. Shayna has a flashback of darkness, her dad’s body, and a scream. Paul’s entrance knocks her out of it and he sits next to Shayna on the couch, placing his arm around her, and she pulls in close laying her head on his chest. “ Mr. Grey is getting worse, his lungs are failing and I didn’t catch it in time. It was my responsibility, and everyone is making it sound ok. Its not ok.” Paul holds her closer, “You can’t blame yourself for that, you can’t control someone’s lungs, you did what you have to, and you are still doing what you can.” Shayna picks her head off of his chest and looks at him with a slight smile, “So, how was your day?” Paul pauses, “ One of my clients confessed to a crime today, I was not prepared for that, he is a good guy. He must have put on one Hell of a show for me, I thought he was innocent.” Shayna got a little closer to him, putting her head on his shoulder. “I guess the day really did suck for both of us. “ Paul responded with a laugh, and a receipt for from Rudy’s Pizzeria, he had ordered it before he left the office, and it was being delivered any minute.

            The doorbell rings, Paul gets up, grabs his wallet from the table for the tip, and goes to the door. He unlocks the door, opens it and a man stabs him in the chest, and makes his way into the door and goes straight for Shayna. She screams, but she cannot get up. She screams again. She is stabbed, and the man says, “Is this why you are afraid of the dark?” and keeps stabbing her. She sits up. She was dreaming. –Plot point one

                                                 Act II
            For Shayna, The nights have been dragging on. Her sleep pattern has basically become non-existent as she keeps having these awful, vivid nightmares. She would dream about the man before, the man who has no face, and no voice. She has often called him the shadow. The dreams however, had stopped. She hadn’t seen his shadow in years. Why are they back now? What did she do to make them re appear? Paul has had his fair share of doubts about Shayna and her fear of the dark. He knows that she has been traumatized, and he understands that, however, he seems to get highly irritated when she tells him to turn on a light, or leave a door open. They have fought about it before, as a matter of fact, it is the subject of most of their fights. He can’t see why she won’t do anything about it, since she is a doctor and everything. She knows that it has hurt her marriage, but doesn’t think that anything will help at this point. She has dealt with this for most of her life, and just wants to deal with it on her own. Paul was starting to worry, about Shayna, their marriage, and how she was dealing with her stress. He felt she was using her work as a release that she wasn’t talking to him. All her energy was at the hospital, and when she got home she was on edge, going to bed early, leaving all the lights in the house on. Shayna is starting to run on nothing but coffee and the occasional meal. She is jittery, scrambled and unfocused. At the hospital, people are beginning to wonder what is wrong with her. Usually she is on top of her game, catching things other doctors have missed, chatting with the nurses, going on runs, and her favorite thing, getting to know her patients. She has been distant, un-like herself. Shayna has no idea what is happening to her.

            “Shay, you gotta get up, its close to six… you really gotta get going.” Paul nudged her, trying to get her up. This was odd for Paul; usually Shayna would be wide-awake by six, poking him, tickling him to get him out of bed. This time he had to wake her up. He couldn’t do it, not like she did. He was half angry with her as it was, and he couldn’t even begin to imagine how he could be all sweet and romantic right now. “Ok, I’m up. Six? Really?” She questioned. He could hear the disappointment in her voice. She hated being late. She hated not being the first awake. She hated that he was angry. She got out of bed, rummaged through her closet to find what she considered to be descent work clothes, ran to the bathroom, turned on the shower and cried. She was loosing all control she had in her life, for what? For this shadow in her dreams? She realized that she was hurting Paul more that anything, and if it wasn’t for him she most likely wouldn’t be alive today. Paul left for work without saying a word. He knew that she was upset, but he wasn’t starting to feel bad. He already felt bad, for himself. His life was falling apart. Shayna was the only girl that Paul had ever loved. He always thought that she would be there forever, and he never imagined this would happen.

            “Dr. Miner, please report to Curtain one, Dr. Miner curtain one.” The PA system blared again, this time with a more urgent sound. Shayna was dazed. She was standing in the staff room, her eyes glazing over. She couldn’t seem to move. “Shayna, are you hearing that?” Nancy asked concerned. Shayna snapped out of it, gave Nancy a slight smile, and ran to curtain one. “ What’s going on? “ As soon as she gets there she sees an empty bed where her patient used to lay. “He went AWOL. As soon as you left, he did too.” A nearby nurse shouting from the other side of the room. “That’s impossible, he has tests, the results aren’t back yet on the ones we did, and there are so many more. Why would he do that?” Shayna started to freak out a little. This was the man she had been seeing for some time. He has some sort of lung disease, and he has been back to her many times to try to figure things out. He is a nice man, always asks her how she is, and how her husband got to marry a beautiful woman like her. Why would he run out on what they had started? She couldn’t understand with his health in jeopardy why he would just give up. He never ran out before. He was all for his wellness. They had built a relationship, he can’t just abandon that. Tears started to run down her face, she knew exactly how he felt. “Paul, hey its me. No, I’m not ok. I’m sorry that I have hurt you. I know I need to take care of myself and our marriage. I love you so much. I will see you at home.” Shayna had realized that Mr. Grey leaving had triggered everything in her mind that she had been doing. Her husband was unhappy because of her fear; she was going to lose him like she did Mr. Grey. She couldn’t let that happen.

            She left the hospital early that Thursday. She wanted to go home, get cleaned up and make some phone calls. She needed to clean up her life. She cleaned her house, including the always-messy bedroom. She now was ready to sit down and make the phone call. She was going in to a therapist that specializes in fears. She had recommended him to several of her patients over the years, and decided it wouldn’t hurt to try. A few hours passed, and she was sitting on the couch waiting for Paul to come home. She was going to surprise him, take him out to dinner and express her deepest apologies. Paul walks in the door. There was silence, none of his usual banter, no I love you. She was concerned. In all the years they had been married, he always said I love you when he walked in the door. She stood up, looking at him with a concerned face. He ran up to her and gave her the most passionate kiss that he had ever given her. She pulled back, and all he could do was smile, and then pulled her back into it. Finally, he pulled away, smiled, and all he could say was “I love you.”  “I know that I have completely screwed up our relationship, in all the years we have had one, I took all of my fears alone. I promised to love and cherish you, and that is what I will do. I want to take you out to dinner, I have something I want to tell you, plus I want to hear about your day and… “ Paul interjected. “Out? Are you kidding me? You have to tell me now.” “Fine… I called Dr. Kellerman today, the therapist, I’m going in on Tuesday, we are going to figure out what my dreams are, and if my fear of the dark can go away.” Paul didn’t know what to say. He knew that she was going to do something awesome, but this was beyond his expectations. “I love you.” That’s really all Paul could say. “I’ll tell you what, how about we order in, watch The Die Hard Trilogy, and we can just be.” Shayna knew that if Paul had mentioned the Die Hard Trilogy, everything was going to be OK. She agreed. They ordered some Pizza, Rudy’s of course, and sat together on the couch for the duration of the evening.

            It was getting late, Paul had already zonked out during Die Harder, and Shayna was perfectly content with lying there in Paul’s arms. However, she was starting to be in pain from sitting in the same position for almost four hours. The movie had ended and the credits were rolling. She decided to wake up Paul to go to bed. “Thud”. A large noise came from the upstairs that woke Paul, and made Shayna shutter. “What was that?” Paul asked Shayna half awake. “I have no idea.” “Well, I better go check it out, most likely the window just fell shut from the wind.” Paul was going to get up when Shayna pulled his arm. He continued to the stairs. Shayna was alone, in the dark. She hadn’t thought about it until that second. She yelled up at Paul, telling him to turn on a light. By this time he was half up the stairs and didn’t want to come back down. “Shay, its ok, I’m going upstairs for a second, I will come back down, I will even talk to you the entire time.” Shayna was still worried. Paul started to trail off.  Shayna closed her eyes. All she could she was the shadow. “AHH.” “Thud”. She opened her eyes. She knew that yell; it was Paul’s yell. She couldn’t stand up, she couldn’t even move. She still heard footsteps up the stairs, someone was up there. And now, someone was coming down. –Plot Point Two
                                           Act Three
             Shayna was struck by fear. She could not even begin to fathom what was really happening to her at this moment.  She sat on the couch, shivering, not really because she was cold, but more because she was so scared that not one part of her body could stop moving.  The footsteps have become closer, coming down the stairs, loudly, but they weren’t coming as fast as she expected.  She knew that if she ran now, she could get out the back door, and to the neighbors to call the police. She tried to convince herself of this, that she could actually move. It wasn’t working. She couldn’t do it.  The footsteps were to the bottom of the stairs now. She had a little hope that it would be Paul that he would come down the stairs, jump on the couch next to her, and it would all be fine. These were not Paul’s footsteps however. He was a soft stepper; he would try to be quiet even if no one was there. Even with her eyes closed she could tell someone was standing at the foot of the couch.  She couldn’t open her eyes.  A haunting voice came out of the figure. “Is this why you are afraid of the dark?”                                                                                               
  Shayna couldn’t seem to open her eyes, even after he spoke. She wanted to know who this was, and why he was doing this, but she just couldn’t do it. He stood at the end of the couch, tormenting her. She wouldn’t budge. Finally, he grabbed her by the hair, pulling her off the couch. She fought back. She couldn’t just sit there and do nothing.  She didn’t want to go wherever this man wanted her to go. She still couldn’t seem to get her eyes open, not even for a moment. “Why are you doing this? What do you want from me? She finally screeched. Nothing. Silence. He wasn’t even going to clue her in at this point. He wanted out of this house, there was nothing there for him, and he knew she would freak out, being outside in the dark. How did he know these things? Only the people closest to her knew about her fears, not total lunatic strangers. He grabbed her arms, and dragged her out to the back porch. She gave up fighting back. She knew that if she was going to die today she wanted to go peacefully, and not full of pain.  He forced her to sit in a chair that they Paul and Shayna had got as a wedding present all those years ago. She remembered the chair, how it felt, and the memories that came along with it. She was beginning to calm down. She opened her eyes.

            She looked around for a minute, not seeing the man right away. He was standing behind her; she could feel his breath on the back of her neck. She was startled and began to turn around. He had moved. He didn’t want her to see him, not just yet anyway. He picked up the chair and moved it, doing so without her seeing his face. She was now facing the house, looking at the glass screen door.  There was a little light coming from the inside of the house, it was the black screen from the TV. It never got turned off. She could see the reflection of the man. She couldn’t see his face, but she could see his outline. She knew where he was standing.  He began to talk to her. “Why are you so afraid, Shayna? Look how beautiful it is out here, so serene, so peaceful.” He knew her name. She was startled at this, but then realized it shouldn’t surprise her at all.  “ The dark is perfect.  You can get away with practically anything.” He continued. She could start to recognize the voice a little bit. She couldn’t put a face to it yet, but she knew she had heard it before. After a little while, the DVD player would go to a screen saver, and the whole room would light up blue, Shayna was looking forward to this. She would have more light, and she would be able to see the face of this man. “Who are you? Why are you doing this?”  She starts to ask, calmer than before.  She knew that in minutes she would know who he was.  “I’m just a fan of yours, I have been for a while…” That’s all he would give her for now. The house starts to turn blue. She can see who he is. “Mr. Grey?”
  Owen Grey, the patient from the hospital, the one that she had spent many hours worry over, the one that she left get away, he was the one doing this? “Why? Why you?” She had never been so confused, so hurt, and had never felt so lied to. Mr. Grey was one of the nicest patients she had ever had. He always made the time to talk to her, to ask her how she was, and how her husband was lucky enough to marry such a beautiful girl. Her head was spinning, she could not fathom this.  Was this really happening to her? She turned around to see him, to see what he was really trying to do. “Do you remember when you were four Shayna? Do you remember what happened?” She looked at him, puzzled.  How could he possibly know that? “Yes, I remember but how did you” He cut her off before she could finish. “ I was there that night. I was the one who killed your father,” She just looked at him, tears beginning to form. “ I saw you in the park earlier that day.  You were on the swings with your dad behind you.  He had stepped away for a moment, and I was walking up behind you. Your dad came back and hassled me, like I was doing something wrong.” She began to realize that the nice Mr. Grey that she knew was a lie. There was nothing nice or friendly about this guy. He was telling her he tried to kidnap her as a child, and her dad got in the way, he then stalked her all these years, and is waiting to make his move, to do what exactly? She started in on him, tears running rapidly, “Why, what do you want from me?” He just stared her down, the eyes that she used to know, and used to be comforted by have just turned into the devils eyes. “ You need to pay for all the years of pain you have caused me. I have loved only one person in life, and that is your fault, you caused this.”                                                                                                                                    Again, Shayna is scared to the point that she cannot move. She cannot do anything but think about all of this, why this is happening, and why to her. She looks up to the glass again. A sigh of relief leaves her lips. Paul is stumbling down the stairs.  He is dripping with blood; he had been stabbed in the stomach, but was still coming to her rescue. He had one had over his stomach and a phone in the other. He motioned at her, to be quiet. She obeyed. Owen was standing behind her still, not noticing Paul coming towards the door. Owen looked up again, seeing Paul this time, and seconds later the door was broken down, the cops had arrived.  Owen dropped to his knees right in front of Shayna, expressing his love to her. Not the romantic kind of love, but the fatherly kind.  She couldn’t even look at him; he pulled a gun out, and tried to shoot Shayna, but was tackled in the nick of time.  The EMTs had pulled in to check on Paul. They were stern with him that he needed to go to the hospital right now, and didn’t have a choice. Shayna had suffered a headache, and a few bruises, but she was fine. “Wow, its really dark in here Shay.” Paul added sarcastically. “I love you,” she added, giving him a little glare. He was off to the hospital; she grabbed her keys and was going to follow behind.
  All of a sudden she feels calm. A sort of calm that she hadn’t felt in 28 years. The only light that was on was the light from the TV, and this time she didn’t care.  She decided to go flip on a light, so she could find her purse, and get going to the hospital. She walked over to the light, and a voice comes out from nowhere. “ I wouldn’t turn that on it if I were you…” Mr. Grey was standing behind her. Before she could even understand what was happening, he shot her. As she was falling down, she saw the cop car with the doors open and the cop on the ground. “Now, you don’t have anything to fear in the dark.”

Wednesday, December 11, 2013

Adaptation

I do not know how people can adapt something that someone else wrote for a screenplay. That is probably the hardest thing I have ever done in my entire life. 

I was assigned to rewrite "Coyote Blue" by Christopher Moore. His novels are really unique and awesome, and I was thrilled to attempt this. I just did not want to butcher another persons work. This also was during a summer session, which was accelerated and pushed into two months instead of the usual four. Needless to say, I was under severe pressure. 

I remember being in Tacoma for a wedding, and I had to spend the evening at Starbucks attempting to finish this final rewrite. At this time, Starbucks charged for using the WIFI, so I kept having to put money on my Starbucks card in order to have enough time to finish. 

Luckily, this process worked and I was able to write the remainder of my adaptation, but this was the trickiest thing I've ever encountered as a film student. 

I think if I were to write a novel, I would have to write my own screenplay, if that were the direction I was choosing to go. "Adapted to Screen By" is a really cool thing for your name to follow, but even when doing it for just an assignment, I felt like I was ripping apart what the book came together as. To write an adaptation you have to have a lot of patience, and realize that this isn't YOUR story. This is someone else's and they just want you to put it on different paper. 

I wonder is Christopher Moore is aware that students adapt his book, and if so, if he ever reads them. I'd be embarrassed to find out one day that he has, and mine was in the stack. 


Tuesday, December 10, 2013

Stuff and Things. Rick Grimes style.

This is not a Walking Dead post. Everytime I use "Stuff and things" I just think of Rick, and some of the ridiculous tumblr posts




Up until recently, I wasn't exactly sure which direction my life was taking. In complete honesty, I didn't know if there was going to be a life worth living in my future. When bad things happen, I have a really hard time looking at the good. Also, I feel like the bad was overshadowing the good. My boyfriend left me, I couldn't continue going to school, I hated my job, I was struggling with friends, I'm broke 99.9% of the time, I had gained some weight…. the list just kept on going.

With all of this on my plate, and tired of feeling like shit all the time, I decided to change things.

 I got a gym membership, and have been going at least four days out of the week. I changed my eating habits, I've been soda free since the beginning of August, and I only eat fast food sparingly, if at all.

I got a call about being able to graduate.

I think that made a huge chunk of my life come together.

Fast forward to right now:

1. I found an editor for my screenplays.
Thanks to the awesomeness that is twtter, I was able to ask a wonderful geeky gal if she would be interested in editing my stuff. I've been following her for a long while, and she has been super nice and very fair with her pricing. I'm excited to have my stuff one step closer to being sellable.

2. I got an email from Jeremy, the wonderful comic artist, who basically told me he wants dibs on all of my ideas. He wants to do more books, and even wants to release the book we did together as its own comic. SO STOKED.
I didn't know if I was going to have to put my comic dreams to rest, but it looks like they will still live on. Now, I just need to write.

3. For a graduation present, I purchased myself an IPad Air.  32gb, brand new and beautiful. Entirely too expensive, and I probably shouldn't have, but I feel this will be a good investment for my future. I had an IPad mini at one point, and I got it through AT&T. It was way too expensive to keep on that plan, so I returned it. This one I just bought through apple, so I can use it on the wifi and it won't make the phone bill go sky high. I should be recieving it around Christmas Eve.

4. I have a wonderful core group of friends, that have been with me and amazing the past couple of months.

Things have gotten better, and are continuing to get better.

I can't wait to see where life takes me. Which is something I didn't expect to want.

Sidenote:
I haven't been able to enjoy the Walking Dead at all this season. I haven't watched it because of my heartbreak… I'm hoping I get over it enough to watch it before it comes back from hiatus.


Monday, December 9, 2013

Jason Manns. Music.









For quite sometime now, I have been obsessed with a musician named Jason Manns. He is based in Los Angeles, and I'm not going to lie, he is pretty dang adorable. I got introduced to him completely by accident. I was on YouTube, searching Supernatural, mainly for gag reels, and behind the scenes type stuff, when I ran into Jensen Ackles singing. Obviously, I had to stick around to watch it, and well, dang. He really can sing. He was singing with someone, a taller, curly haired guitar playing dude with a n absolutely beautiful voice. His name was mentioned in the description box, and from then on I began my fangirling.


At this point, he wasn't as known as he is now. He actually added people on his personal Facebook page, and I was one of them. I felt awesome knowing that I was his friend, even if I wasn't really his friend. I ordered every one of his CDs off of his website, along with a Tshirt, a pick card, and a poster. The poster and CDs were autographed, and personalized. This did not help my fangirl self one bit.
Now, this boy also had extreme talent. He could sing, play the guitar, and occasionally beat box. His music has always spoken to me, so much so that one of my favorite songs is tattooed on my forearm. (there's not really a flattering angle to take that photo)



When my mom passed away, I put some of his music on her slideshow, because she loved him almost as much as I did. I left him a note on his Facebook page letting him know he was played and how much it meant to me that his music, was well.. out there and allowed to be played. He sent me a personal message telling me how sorry for my loss he was, and that he felt honored to be played. If you didn't love him before, now you have to be sold.

I couldn't listen to his music for a little while after my break up. I just recently hit that point where I can again, and "let it go" played first thing.

http://youtu.be/MLW715ZpL4w


I left a link there, because you should honestly go listen to this song. There are a few things that I need to let go of, and this was just the reminder that I needed. It's like a lightbulb went off.

"It doesn't entertain me like it used to, and I don't understand it like I used to, I let it go."
I feel this way about a lot of things in my life. I feel this way about my job, about my ex relationship, about a few friendships. I think just saying these words out loud made me realize that I do indeed need to let things go. I have a way of being stubborn, and wanting to hold on, but if it is not doing me any good, it needs to go.

I suggest going to listen to all of Jason Manns' music. It is available on ITUNES, or just hit me up, I do have it all. Maybe Jason himself will run across this blog one day. Who knows?

Thank you Supernatural for introducing me to my favorite artist of all time.

TV shows do good things, people. Good things.




Sunday, December 8, 2013

Comic books and connections.

A couple of years ago I attended the "24 Hour Comic Book Day" at a local comic shop here in Spokane. The challenge was to write, illustrate, and color a comic in a full 24 hours. I sat there, being one of the only women in the store, and did this challenge. I didn't stay the whole 24 hours, but I made it for about 14 before I felt like I was going to pass out. While I was there, I met some cool people. One being Jeremy Whittington, who is an amazing artist. He befriended me, and after talking with him a bit, got to enjoy him and what he did. He also was intrigued by my love of horror. He gave me a business card, and said maybe we can collaborate one day. I was stoked, but didn't really think anything would ever come of it.  The next day or so I received a friend request from him on Facebook. I got to stalk his pictures and see the amazing work he did.

Months went by, and we were normal Facebook friends, we would like one anothers photos, and comment on status'. One Friday night I got a message from him asking if I could write something up that he could draw for us to sell at a con. I was beyond excited, and of course accepted this challenge. I cooked up this story in about a week, and sent it over to him. At the time, it had no dialogue, and was just a basic outline, but that worked. He drew it and it went into print.

I have a comic book.





It was on the shelves at Merlyns, but was sold out. I'm not sure if there are still copies out there or not, but I still feel awesome about it. I want to write more, cause it really is fun.

Here is the original outline for my comic book story.


                                               




PAUL, 26. Tall. Muscular build. Dark Hair, dark eyes.  Always wears a baseball cap.

BACKGROUND:
Paul has lived his entire life without dreaming. He was born to a drug-addicted mother, and as a result spent the first year of his life in and out of hospitals. His brain was affected, but in each year of his life, his brain seemed to heal. The only thing missing was dreams. He grew up In and out of foster care, going to group homes, and never finding a permanent place to call his own. Being 18, he ventured out on his own. He got a job, an apartment, and started to figure out whom he is.


Story:

Paul rests, but can never fully sleep. He can never get himself to the REM cycle that is needed to sleep deeply. He is always awake, and always aware. He is on edge, tired, distracted. Sleep studies do not help. Doctors do not help. That is, until he met Dr. Andrews. Paul is understandably depressed, and Dr. Andrews is the first one to listen. He prescribes Paul Paxil. Something Paul has never tried before.

Paul starts his medication and within the first night, he sleeps, and dreams. When he wakes he feels tired, more tired than usual. He knows he slept; he has a vivid memory of the night’s occurrence. As the day goes on, Paul gets flashes of people, places, things, he doesn’t recognize. He continues his day, walks, works, eats. He notices bruises on his arms.

Second night of sleep.  Paul has a nightmare.

Morning after he calls Dr. Andrews to voice his concern. Dr. Andrews is convinced that they will fade away, that it is just his body adjusting to the new medication. He tells Paul to wait a few weeks for the medicine to completely kick in and his nightmares should end. He set up a follow up appointment in a month’s time.

Paul continues his medication. The nightmares get more intense.

He drinks coffee; energy drinks, and takes caffeine pills. He does whatever it takes to try and stay awake. The more days that pass, the more he notices bruises, scrapes and scratches.

Dream Sequence: Paul is surrounded by trees in the midst of a forest. He hears voices surround him, but cannot see a thing. He gets stabbed, bitten, scratched. He just lays there.  He slowly dies.
Each night in the dream, he tries something different. He stands one night, punches the air another, all trying to defend himself.  Nothing works.

He wakes up as soon as he dies in the dream.

Day after day he wakes up feeling no different, the nightmares get more intense.

A month passes.

It’s the day before the appointment. Paul has made it this far, and is out of the months medication.

That night, Paul doesn’t want to go to sleep. He pulls his eyes open every time he drifts.

He falls asleep. He lands in the woods. Alone. He is attacked from every corner.  He starts to drift into death, only he can’t die.


He can’t wake up.






I'm so proud that this made it into a book, and that I could be a part of the comic community, if only for that period of time. I don't want that chapter of my life to close, so I'm working on getting more of that accomplished, but with the Holiday time, and Jeremy having a day job too, it makes comic booking a bit tricky. With the new year approaching, I hope to give this another go. Who knows, it could take me some place new and wonderful. 

Here's to hoping. 

Saturday, December 7, 2013

Rambles.

Do you ever have one of those days where you feel defeated? Like everything that you have worked hard at in some way or another is just not panning out? Well, I've had quite a few of those days, but this week i had a hat trick. It seemed liked the last three days of this week I just felt like the emotional progress I had made took a stand still. I'm not quite ready to write about my emotional issues just yet, even though they are pretty public, something about writing them makes it seem, well more permanent.

Today, I literally did nothing productive. Unless you count plucking my eyebrows and then watching Supernatural. I didn't want to be social, and I didn't even make myself go to the gym. I didn't have to be at work until six this evening, but for some reason the world scared me today.

I had nothing to write about. No, that's a lie. I have PLENTY to write about, but the words were missing. Having this challenge of blogging daily is nice, because it is a challenge. You do have to make time, and put the effort in. I wasn't going to not post, I promised myself I would. I decided today I would post a ramble. I wouldn't be ashamed of how I felt, or hide it, I would just let it out. This is my blog after all, I can post what I choose.

I am a determined being. I try hard and do work for things that I want, and more than likely, I succeed. I know that I can do things that I put my mind to, and make things work for me. I am human, however and I forget that sometimes. I put these ridiculous expectations on myself because I think that is how everyone should be. I want to lose 27 pounds, but I would like to do that in as little time as possible. I forget that I do need food to survive, and even if I spend those two hours in the gym that it is not going to happen over night. I need to pace myself, eat healthy, exercise and it will come off naturally. I've lost about 25 pounds thus far. Heart break was kind to be that way.

My point being that I cannot expect to feel good, to do things right, or to be a winner 100% of the time. I have to give myself a break, take a breath, stay in bed all day and watch Supernatural every so often so that I can recharge.

It is OK to be broken, just be willing to put yourself back together. Piece by piece. No matter how long it takes.

Friday, December 6, 2013

Do Good.

Today I came in initially with nothing in particular that I wanted to write about. While at the gym, I ran into my friend Katie, who also works at said gym, and we were watching TV and hoping that Boy Meets World would be on. Sadly, it wasn't… but it got my mind thinking.

For anyone who knows me personally, knows that I love tattoos. I have a growing collection of 20ish at the moment, and I always try to get one a year. I haven't had one since January of last year, and even though I'm planning a few for the next year I have one I want more than anything.

This brings me back to Boy Meets World. I am obsessed with this show and have been for a majority of my life. I really want a boy like Cory Matthews, but at the same time I love Eric. Major dilema.
This show is just amazing all around, and something that I can still watch to this day and learn life lessons. My dad will even sit and watch it with me, and he will laugh out loud.

Mr. Feeny is by far the worlds greatest teacher, and has taught so many of us a lesson or two. I know he has taught me many. The series finale is by far one of the most heart breaking episodes ever. I still cry everytime I see it.

The very last scene, Cory, Shawn, Topanga, and Eric all are in the classroom asking Mr. Feeny to teach them something. His final advice was "Believe in yourselves. Dream. Try. Do good."
Topanga questions, "don't you mean do well?" And he responds, "no, I mean do good."

Do good is my next tattoo. It is going on my right hand, so I will see it and remember, that no matter what, I can try to do good. It also will be amazing when people ask about it, cause people most often ask about my tattoos, and I get to say "Mr. Feeny."

I'm probably more excited about this tattoo than any of my other ones. Yes, I love all of my tattoos, and I wouldn't trade them, but I feel like this one just has so much meaning behind it.

So, thank you Mr. Feeny. I will do good.

Thursday, December 5, 2013

Writing for genre

While in film school, I simply exhausted every writing class that I could. I didn't start school with the intention of being a writer. Actually, I wanted to do anything BUT write. I wanted to direct, produce, set design, and maybe the occasional voice over acting. I wanted nothing to do with the writing aspect. Now, I knew that I could write. I knew that I had a wee bit of talent, coming from a mother who wrote often, and a brother who was going to be a writer, so I had it in me. I didn't realize it was a thing that I could use until probably my third or fourth year of school. The writing classes were really easy for me. They were fun, and I usually received A grades. It wasn't until a "Writing for Genre" class that I had a bit of a struggle.
See, I can write horror. That's about it. All things weird, demented, and awful I can wrap my head around. Having to write a synopsis for a "rom-com" almost made me want to die. Most people say that they only right what they know. Since I've been described as "creepy" by my sister basically my whole life, that is what I know. Romantic, no. Comedy, especially not.
I had the hardest time getting anything down on paper for this assignment. All of these ideas had already been done, one way or another.
Our assignment was to pitch two ideas, and then the professor would pick his choice and you would write a treatment from there. I wrote two ideas. They were both mediocre, in my opinion. According to my professor, my final product was "original, down to earth, and marketable."
Single by Divorce, showed me that even if I don't think I can write anything else, someone is going to challenge me to do so. This being one of the hardest assignments I had come by, was also the most rewarding. Knowing that I can indeed write something out of the box for me, when necessary.
Although, I think I'll stick to horror.
Please enjoy:





            Single By Divorce


Act One:

           

Jason Curtis is sitting at the Los Angeles airport, waiting outside for a cab. He looks at his cell phone, going to the call list. His last phone call was from “dad”. The cab pulls up to him, and he walks to jump in. Before he can make it to the cab, a young woman runs up and jumps into the cab. Jason runs up to the door, but before he could say anything the cab took off. He only saw the back of the girls’ head. He flags down another cab, gets in, and makes his way to his apartment. He takes his two bags up the stairs to his “bachelor pad.” He opens the door and is greeted with his widescreen TV, his massive DVD collection, and his fridge full of beer.  He walks over to the fireplace, where on the edge sits pictures of his family. He throws his bags down, and pulls the picture from the frame, and sets it on the coffee table. He walks over to the kitchen and grabs the trashcan. He starts throwing bottles, the empty condom boxes, and random lingerie into the trashcan. He gets to the coffee table and picks up the photo of his family. He stares at it for a minute, rips it in half, and throws it into the trashcan. The side with his father sank to the bottom, while the side with him and his mother stayed on top.
         Jason wakes up the next morning, jet lagged and in need of some extreme caffeine.  He slowly crawls out of bed, and opens his shades. He grabs a pair of jeans and a button up shirt, his basic work clothes. He runs to the bathroom to check his hair, and then runs over to the kitchen to grab a package of pop tarts, which he throws into his backpack, and heads out the door. As soon as he walked out of the door, he slipped his ear buds in and began jamming to Motley Crue. He took the elevator down to the first floor, and exited out of the apartment building, walking to the parking garage right next door. He gets into his Nissan Xterra and makes his way to the office. He pulls into his assigned parking spot, turns off his car and sits for a minute thinking to him self. This is the first time in two months he has seen his office, his friends, and more importantly his father. He hesitantly gets out of his car, and shuffles his way into the building; the front desk girl, Claire, greets him. He proceeds down the hallway and to the left, to his corner office. He gives waves to his coworkers along the way, and then shuts himself into his office, seeing the picture of his family on his desk.  He is interrupted in his sulking by his best friend Kyle, who waltzes into his office like he owns the place. He makes Jason get up, and gives him a friendly hug and welcomes him back to the working world. Jason and Kyle had talked while Jason was on his vacation, and Kyle was well informed of Jason’s parents’ recent divorce. In his attempts to cheer up Jason, Kyle decides to indulge in his “conquests”. In the midst of his graphics, Jason stops Kyle in mid sentence. “No dating. I’m done dating. My parents get divorces, I don’t date.” Jason proudly announces. Kyle glances over at Jason with a confused look. He then tries to talk him out of it, saying his parents are not him, and he doesn’t have to make that mistake. Jason’s mind was made up. Kyle looked at his watch, and noticed it was five to ten, and they had a meeting at ten. Kyle started out the door, and Jason wasn’t moving. He stated he would rather die in that chair then go sit in a room with his father. Kyle went over to Jason and began to pull him out of the chair. The two struggled, when Jason got quiet. “Doomed, we’re all doomed.” A female voice echoed. He stood up, and peeked outside of his office door. “Friday the 13th Kyle, some girl out there quoted Friday the 13th, my favorite movie of all time.” Kyle laughed, and looked out the door with Jason. The girl had long dark hair. He recognized that hair. It was the hair that stole his cab the night before.



Act Two:

         By Jason getting out of the chair, Kyle drags him out of his office, down to the boardroom; they pass by the mysterious dark haired girl. Kyle points out that her name is Baylin, and she started working there right after Jason left for his trip. The boardroom is right next door to Logan Curtis’ office, Jason’s father. Jason tries to slip by undetected, but Logan sees him and comes out of his office, to greet his son with a hug, Jason falls back, and heads into the boardroom. He finds his seat, and Kyle joins him at the end up the table. The others start to file in the room, and Jason sits in his chair quietly. Baylin, who is making her way into the room, brings him to attention. She sits directly across from him, and smiles as she sits down. Logan walks in, and begins the meeting by welcoming his son back into the office, and gets down to business. Jason zones out. He is brought back into reality when Logan introduces Baylin as the new head of promotions for the company. Whispers start to emerge. The meeting ends, and Jason is now intrigued. He looks toward Kyle who has a sympathetic look on his face. Jason pressures Kyle for information, until finally he gives in. Kyle begins to tell Jason of the rumors, Baylin had only been there for two months, at a starting position and yet she was now the head of promotions, and there had been rumors that she was only promoted due to her “relationship” with Logan Curtis. Jason couldn’t believe that this was happening, the girl that he thought was beautiful, and was movie savvy really broke up his parents’ marriage. Jason rushed to his fathers’ office, and slammed the door demanding an explanation. Logan was very calm at first, trying to explain that he fell out of love with his wife, and there wasn’t anyone or anything else responsible. As soon as Jason brought up Baylin’s name, his father got quiet, and he never gets quiet. Jason then knew it was true, he could tell by the silence. His father then told him that there was a connection between him and Baylin, a connection that he didn’t fell with his wife, and wouldn’t feel with her again. Sick of his excuses, Jason stormed out of the office, slammed the door and traveled back down the hall to his office. Kyle waited for words to come out of Jason’s mouth, but nothing was happening. Jason was in shock, his father just admitted infidelity and his world had just begun to crash.
         The day wore on, Jason hid in his office doing his paper work, which was two months behind, while the rest of the crew was working, laughing, and doing what they did while Jason was gone. Five o’clock rolled around and Jason was more than ready to leave the workplace. He started out of his office, when Kyle came and intercepted him. There was a small get together at the local bar in Jason’s honor, and he had no choice but to attend. Kyle drove the two of them to the bar, psyching Jason up before they got there with stories of boredom when he was gone. They got to the bar, walked in and sat at their usual table.  A few people from work started to show up, and gather around Jason, welcoming him back. Jason’s eyes focus on the door, noticing the dark brown hair of Baylin come walking in the door. She heads straight to the bar and grabs a pitcher of her favorite beer, which happens to be Jason’s favorite as well.  She sets it on the table in front of him, introduces herself, sits down next to him and strikes up a conversation. Jason answered sarcastically to each one of her questions, and was down right rude. He stood up from the table and walked over to the bar. He ordered a Blue Moon, and waited for it to be handed to him. Baylin snuck up behind him. He turned around, looked at her, turned back to the bar. She got up right in his face and asked him what his problem was. He didn’t know her, what did she do to him? He looked her square in the face and stated. “My Father.”

Act Three:

         Baylin just stares at Jason, she couldn’t even find any words to say. After a few seconds, she finally chimes back in. She admitted to having some sort of connection with his father, but there was no relationship. She never “did” his father. Jason began to say exactly what his father said, and through in some office rumors. Baylin’s eyes began to swell up with tears. She couldn’t stand to take the abuse, so she started to run out of the bar. Jason felt responsible, so he followed her, forgetting that Kyle drove, and he was walking out on his own party. Kyle started to follow him when he signaled him to stay put. Jason ran out of the bar, looking both directions to see where she went. He started to run down the sidewalk to his left, making a b-line to what he thinks is Baylin. He grabs the girl from behind, and it turns out not to be her. He apologizes and turns the other direction to find Baylin standing by the door of the bar with a slight smile on her face. He walked back towards her, feeling embarrassed. She complimented him on his running skills, and he began to apologize. She then proceeds to tell him the real story. She felt like his father was her father, and there wasn’t anything sexual about their relationship. She used to be in charge of promotions at a small company, which is why she got promoted so fast. There was a reason for everything. Jason had some explaining to do himself, like why he freaked out and was such a jerk to her. He then proceeded to explain about his parent’s divorce and how he found out, and that he decided not to date since his parents couldn’t make it though. By this time she was less upset, and had stopped crying so they decided to go back into the bar, where they continued to talk. Kyle ran over to Jason, saying he was ready to go when Baylin offered to drive Jason home.
         They closed out the bar, and decided to take a walk around Hollywood Boulevard and continue their chat. It was getting to be four am, and they needed to be at work at nine.  They journeyed up to Baylin’s car; her IPod was plugged into her radio, with Motley Crue blasting out at them. She apologized for the loudness, and they got to talk about how they liked the same music. Before either of them knew it, they were at Jason’s apartment building. He didn’t seem to want to get out of the car. They were having such a good conversation and finding that they had a lot in common. Jason finally got out of the car, and waved goodbye as he walked into his apartment building. He rode the elevator in silence, contemplating what he had just experienced.

         He didn’t sleep in those four hours. He laid in his bed until his alarm went off, got up, jumped in the shower, and starts to head out of his apartment. On his way down the elevator he realizes that he left his car at the office. He pulls out his phone, and starts to dial Kyle. He walks out of the elevator only to find Baylin standing in the lobby with two cups of coffee.  She also realized that he had forgotten his car at work, and brought him coffee and a ride. Jason smiled, hung up the phone, and walked over to meet her. She hands him his cup of coffee and guides him out to her car.  She smiles, and tells him that she got no sleep the night before, and is making an executive decision, they are skipping work to go for breakfast at her favorite spot, right off of the beach. He agrees, since he is the bosses son, he can get away with one free day. They drive down to the beach discussing everything from movies to the bible. They have their food with them, and find a nice spot on the beach, secluded and peaceful. Jason explains to Baylin that he has never met anyone like her before, and could understand why his father would feel something more for her. Baylin interjects saying that the relationship between his father and her was completely innocent, and that if there was anything else it was completely one sided. Jason leans in and kisses her. They pull away, and he just stares at her. She questions his motives, he had stated that he wasn’t dating anyone because his parents fell out of love. He looks into her eyes, and says the one thing that he can think of to keep the moment perfect. “There is one exception to every rule.”

Wednesday, December 4, 2013

Writers Block

SUCKS.

Seriously. I've experienced a huge chunk of writers block because of my heart being broken. All I could think about was…. well…. my heart being broken, so much so that I couldn't write one single word.  I started to write a comic book, but the moment I would sit down, and open the document, I felt nothing. I've been stuck in this land for about eight months now. I always say I'm going to be productive and go to Starbucks and write, and it hasn't exactly panned out that way. I'm the queen of excuses.
1. I'm tired.
Well duh, you are always tired. Everyone is tired, and out there doing things way more productive than you.
2. I just don't feel like it.
BULLSHIT.  Yes, I just called bullshit on myself.

I've come to a decision that I'm going to be writing for this blog everyday. Now, this commitment I can manage since I won't only be rambling, but posting writing works here to. So, if I feel less creative one day, I can post some old work and still accomplish my goal.

I also may be coming to Starbucks daily to do so, when I have the time. I missed coming here. I spent a lot of time here doing homework, and then when I didn't have homework, I'd come to socialize. One of my closest friends works here, and I want to continue to build our friendship, so I think this will be good.

I spent eight months trying to figure out what my life meant, and who I was.
I'm still learning, but I feel like I'm in a good place at the moment. As long as this block seizes to exist soon, I should be back on track completely.

If only a broken heart could heal itself this quickly, I'd be in such good shape.
Oh well.
We can't have everything.

Tuesday, December 3, 2013

Supernatural from my perspective.

I was given an assignment for my Writing for Television class. We got to choose a one hour drama that was on the air at that time, and write an episode for it. I, being the nerd that I am, chose Supernatural. My professor had never seen the show, but gave me the go-ahead. After I sent him my synopsis for my episode, he told me he was intrigued, and excited to see where I went with it. That was probably my favorite assignment from my film school career… well that, and the comic books I got to write. Thank you film school for letting my freak flag fly. 
After the assignment was over, I got my grades. I got an A on this episode, and convinced my professor to watch the show. I think I would have been happy on that alone. 
So, after this long intro, I'm going to post my Supernatural episode. But before I do, remember these things:

1. This was a few years ago. I didn't know what we know now.
2. This was written in Final Draft. There for it is in screenplay form. Don't be alarmed. 
3. I've always been a big Daddy Winchester advocate. I've wanted him back since he died, so since I had the power, I made that happen.
4. I am not Eric Kripke, nor am I Sera Gamble. I am also not one of the amazing writers on the show, although I WANT TO BE. 
5. This is all my own desire about how I wanted to make the show. 


Please be kind. Enjoy the read. Tell me what you think. Jerk/Bitch. 



Supernatural
"The Devil Goes Down To Lawrence"

by Devon Kenney
Based on Supernatural Created by Eric Kripke

Devon Kenney
617 W. Carolina Way Spokane, WA 99208 509-389-2617 NightyNight34@kansas.usa.com



Supernatural “The Devil Comes Down to Lawrence”


TEASER EXT. WALLACE IDAHO STREETS -NIGHT

Street lights flicker. Silence engulfs the town.

 EXT. WALLACE MINE- NIGHT

Water trickles down the walls of the mine, crackle noises come from all around.

 A SECURITY GUARD, 40s, walks through with his flashlight.

SECURITY GUARD
 Hello? Anyone down here?

He shines the light down the mine, turns around toward the exit. Begins to walk up. Hears rustling. Turns around.

SECURITY GUARD (CONT’D) 
Last call. Anyone down here?

He hears laughter. He spots a young couple making out on the ground.

SECURITY GUARD
 (CONT’D) What are you kids doing down here?
You can’t be down here at this hour. Come on, get gone!

The couple laughs, continue to kiss. The Security Guard turns around and walks towards the exit. He turns off the last light in the mine.

 KYLE, 24. Blonde, clean cut good looking boy in jeans and a tee shirt. ALICIA, 23. Long brown hair, pretty girl in jeans and a button up shirt.

ALICIA
(pushes boy away) Wait, where did he go?

KYLE 
(grabs her head)
Does it matter? We know how to get outta here

The boy leans into the girls neck, begins to kiss it. She giggles.

Blood sprays onto the couple.

page2image14512
ALICIA
 What is that?

KYLE
 (unbuttons her shirt)
What is what?


ALICIA
This, here. Look at this.



KYLE
That’s what I’m talking about


ALICIA
No, Kyle. I mean, shine the light over here.

Kyle grabs flashlight and shines on hands. Alicia Screams. Kyle drops flashlight, blood on mine walls, Security guard’s head lies detached from body in front of the flashlight.


OPENING TITLES

ACT ONE INT. WALLACE INN-EARLY MORNING

Dark red curtains, black and red walls, random art, fill the walls. DEAN WINCHESTER, 31, sleeps in a full sized bed next to his brother, SAM WINCHESTER, 27, in a separate full sized bed. Dean’s cell phone rings on the night stand to his left. He doesn’t lift his head off the pillow, reaches his arm and grabs the phone, flips it open.
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Silence.

DEAN 
Yeah?

JOHN (O.S.)
 Dean? Are you there, Dean?

Dean opens his eyes, looks at the caller ID, hangs up the phone. Slams his phone on the night stand, buries his head back in his pillow.


MOMENTS LATER

Dean’s cell phone rings, wakes up SAM.



SAM
You gonna get that, Dean?



DEAN
Nope, go back to sleep Sammy.


Sam’s phone rings. Dean opens his eyes, rolls his body over, sits up and grabs Sam’s phone.


SAM
Dean, what are you doing?


Dean hits the ignore button. Dean’s phone rings.


DEAN
Stop calling me you demonic son of


a bitch!
Sam surveys Dean. Dean’s eyes widen.



JOHN (O.S.)
Dean. Don’t hang up, it’s me, Dad.


I need your help.

Dean fully sits up, wipes his left eye with his hand.



DEAN
Yeah, right. Dad, huh?


Dean shakes his head and rolls his eyes. He hits the end button. Sets the phone on the night stand. Continues to sit up on bed.
Sam picks up his phone, glances at the voice mail icon. Hits the one button, and speaker phone.


JOHN (O.S.)
Sammy, It’s dad. I’m in Lawrence, I

need help. Where are you? Call me back, Sammy.

Sam presses the end call button. Stares at Dean, soulfully. Dean shuffles off the bed.


DEAN
Well, I’m up for the day.


Dean slaps his hands on his thighs and gets off the bed. Walks over to the fridge, pulls out a beer, twists the cap off.


SAM
Shouldn’t we talk about this?


Dean walks to the table, slams down the beer.


DEAN
What is there to talk about Sam?

Dad died. We saw it happen. We salted and burned his bones, the whole nine yards. Up and at ‘em, Sammy. We have police to impersonate.

Dean walks to the bathroom, closes the door. Sam looks at the clock.


SAM
Dean, it’s 4:30. Beer, really?


DEAN (O.S.) 
Sammy, it’s a light beer.

Sam shakes his head, grabs his cell phone from the night stand. Hits the voice mail button and holds the phone to his ear.
Dean exits the bathroom, adjusts his tie. Sam quickly hangs up the phone, setting it on the bed beside him.
Sam grabs his duffle bag, searches for a suit jacket and tie.


SAM
Stranger things have happened,

Dean. If you think about it, this is us. We have seen it all, dad coming back wouldn’t be the most random, We are facing the apocalypse.

Dean interrupts.


DEAN
Sam! Go get dressed.


Dean waits for Sam to leave the room, picks up the beer, drinks it. Slams it back on the table, looks at his cell phone. ONE MISSED CALL: DAD. Puts the phone back in his pocket.
Sam and Dean exit the motel room and enter the Impala. Dean jumps in the drivers seat, Sam hold directions to the mine in his right hand. Dean starts the car, they drive.


EXT. WALLACE MINE- EARLY MORNING
They pull up to behind the mine. Dean grabs a gun from the glove box, and they exit the car. Out of sight, they sneak in the back.


SAM
We need to go this way



DEAN
How could you possible know that?

Like you have been here before.


SAM
It’s called research, Dean.



DEAN
(under his breath)


You’re the research.

Sam and Dean travel through the mine. Water trickles.



SAM
I really hope that’s just water

dripping.

Dean follows behind Sam, laughs. Steps into a puddle. Looks down.

DEAN
 Gross!

SAM 
What?

Dean points.

DEAN 
Dude,look.

Sam kneels.


SAM
Guess it wasn’t water.


Dean glares at Sam.


DEAN
So what do we know other than she’s

blood thirsty?



SAM
She’s been haunting this place for

years, and from the looks of it, it’s only gotten worse.

DEAN
 Ya think?


SAM
It takes a lot of time and anger

built up to get to this point.


DEAN
Happy, perky people don’t wind up

being a vengeful spirit.

Radio static echoes. Sam and Dean look at each other. Dean points down the mine, motions Sam to follow. They peek into an opening, slowly exit the mine from the back.


DEAN (CONT’D)
Put on your big girl panties,


Sammy.

Sam straightens his tie.


DEAN (CONT’D) Excuse us. Federal agents.

Dean pulls out his fake badge, Sam follows.


DEAN (CONT’D)
Agent Plant, this is Agent Page.

What can you tell us about what happened here?

POLICEMAN, 40s, motions the boys forward, grabs a flashlight from his holster.

POLICEMAN (while he walks)
A young couple saw the whole thing happen. They have some bumps an bruises but seem to be OK, just up the street at the hospital, there.

Sam pokes around the mine, apparent blood stains are on the walls.


SAM
So no body was recovered?


The Policeman shakes his head.


POLICEMAN
Not that we could find down here

anyway. We have a search going, hopefully in the next few hours the guys will find something.

Dean looks around at the mine, Sam and Dean look at each other.


DEAN
Where was that hospital located

again?

The Policeman walks the boys out of the mine, hands Dean a piece of paper with the couples names and information on it.


SAM
Thank you for your time.


Puts his hand out to shake. Dean does the same. They exit the mine, climb back into the Impala, Dean back in the drivers seat.


INT. CAR- DAY


DEAN
So, blood, no body, but two

survivors.

SAM
 Must mean she was just looking for one in particular

DEAN
 And we have dealt with those kind
before..


SAM
Thinking a lady in white?



DEAN
Has to be, right? One man missing,

blood everywhere, two people left relatively unharmed, fits the M.O.


SAM
So I guess that means, research?



DEAN
Oh Sammy. Right after the hospital

it will be weird encyclopedia.com for you.

Dean smirks. They pull into the hospital parking lot. They enter the hospital.


EXT./INT- HOSPITAL-SHOSHONE MEDICAL CENTER

Sam knocks on the door, and enters with badge in hand.



SAM
Sorry to bother you, We just have a

few questions, if you are up for it.
Kyle lies in bed, eyes puffy, scratches on his face. Alicia, sits with her arm in a sling in a chair at his bedside.


ALICIA
We already answered some officers

questions, can this wait?


KYLE
No, Alicia, it’s fine. How can we

help?


SAM
Can you tell us what happened last

night, whatever you can remember would be extremely helpful.


ALICIA
We were just sitting there, in the

dark.


KYLE
Well, we weren’t exactly just

sitting there... we were making out..more or less...We go to the mine for privacy from everyone..


DEAN
Kinda dangerous, an empty mine of

all places? Alicia glares at Dean.


ALICIA
We’ve been going there for years,

nothing bad has ever happened. We’ve been safe.


DEAN
I bet you have.


Sam looks at Dean, then back to Kyle and Alicia.

SAM 
Please, continue.


KYLE
It all happened so fast. There was

the same guard that is always there, he comes down, shines the light and gives a warning, then he usually makes his way back up the mine. This time he warned us, and then there was blood everywhere.


DEAN
Did you notice any weird smell,

like sulfur? See anything that wasn’t supposed to be there?

Alicia looks at Dean with a “What the hell” look


ALICIA
It’s a mine, there is a lot of


weird smells.

Dean gives a look of disapproval.



DEAN
Any specific smells that you

remember? Different than normal?


KYLE
No, not that I can remember. It was

pretty normal.


ALICIA
Normal. Yeah, after the head and

blood everywhere.. That is what I like to call normal.

SAM
 How did you

KYLE
 (points at face)
Do this?


ALICIA
He slipped and fell on the blood,

taking me down with him, giving me a broken arm.

Dean’s cell phone rings.


DEAN
Excuse me, I have to take this.


Dean steps out into hallway.

 INT. HOSPITAL HALLWAY-DAY


DEAN
What do ya got for me Bobby?



JOHN (O.S.)
Dean, don’t hang up. I need your


help. Where are you?

Dean’s face tightens, his eyes widen. He closes the phone. 

INT. HOSPITAL ROOM-DAY

Dean enters the hospital room.



DEAN
Thank you for your time, If you

remember anything else, don’t hesitate to call.

Sam looks at Dean, confused. Dean hands a card to Kyle, grabs Sam by the arm, drags him out of the room.


DEAN (CONT’D)
Sammy, the demon found us, we gotta

get out of here.


SAM
Demon? What kind of demon?



DEAN
I don’t know, but one of them did.



EXT. SHOSHONE MEDICAL CENTER

Dean rushes to the Impala, Sam follows behind him.
 INT. CAR- DAY
Dean slams the door, turns on the car. Drives.



SAM
We can’t just leave, Dean. We are

in the middle of a case. We can’t just walk out on the town, on these people, like that. You know we can’t.


DEAN
All I know is one demonic son of a

bitch is headed for us, and we know what they want, Sam.


EXT. WALLACE INN- DAY

Sam and Dean exit the car.



DEAN
They found us Sammy, we don’t have

a choice. We have to keep running.


SAM
You know that isn’t the way Dean.

Let’s finish the job.

Dean sticks the key in the door, unlocks and turns the handle. Pushes the door open. JOHN WINCHESTER, 50, Their father, sits on the corner of the bed.

JOHN
 Hey there boys.

END OF ACT ONE




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ACT TWO


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INT. WALLACE INN- DAY

Dean and Sam stand in the doorway. Dean drops his keys on the floor.

DEAN
 Sam, Sammy

Sam nods and ducks, grabs his duffle bag, pulls out a bottle filled with Holy water. Splashes John.

JOHN
 Boys.

DEAN
 Shut up.

Dean bends over, grabs his shot gun, shoots John with a round of rock salt. John falls off the bed, grabs his stomach in pain, begins to laugh.


JOHN
I taught you boys well, didn’t I?

Sam and Dean look at each other.


DEAN
Ok, if you really are who you say

that you are.... What year is the Impala?

Dean stares directly into John’s eyes. John cracks a smile.


JOHN
‘67. And where is my leather

jacket?

Dean takes a step back. Sam smiles. Sam walks over to John, throws his arms around him.

JOHN (CONT’D)
 Good to see you, Sammy.

Sam starts to cry, tears hit John’s shoulders. They pull apart. Dean saunters over.

JOHN (CONT’D)
 Hey there, Dean.

John walks slowly towards Dean, Dean steps into his arms. Dean and John cry.
Sam, Dean, and John sit at the table, eat pizza, drink beer.


SAM
So where were you? How did you get

out? How did you get to Lawrence?


DEAN
How are you in your own body? Did

the angels have something to do with this?

John puts down his slice of pizza.


JOHN
One question at a time, boys. I

woke up in Lawrence about a week ago. I don’t exactly know much else.

Dean continues to eat, Sam sets down his pizza.


SAM
You can’t just wake up somewhere

and not remember how you got there? It has been so long. I don’t see how this could happen without it being angelic or demonic.

Dean stares at Sam.


DEAN
Sam’s right. I did pop up out of no

where, no idea why, or where I was. It didn’t take me long to figure out that Angels were responsible.

Dean picks up his beer, drinks it. John picks up his beer.


JOHN
I was in Lawrence for an hour

before I figured out where I was. Once I did I had to figure out how to get out of there, and where you guys were.


DEAN
Any marks anywhere, like this one?


Dean rolls up his left sleeve, exposes the red burnt on hand print on his upper arm.


JOHN
Not that I’ve seen....


Sam looks at Dean.


SAM
How else could you have gotten

here, from where ever you were?


JOHN
I don’t know, Sammy. Obviously

somebody wanted me here, or else I wouldn’t be here. I can tell you are skeptical. You did the tests, I’m still here. How do you explain that?

Sam shakes his head.


SAM
I honestly don’t know. Dean.


Sam motions his hand for Dean to follow. Sam gets up from the table, walks towards the door.


JOHN
Take all the time you need boys. I

don’t blame you, I would be skeptical as Hell.

Sam smiles, walks out the door. Dean follows.

DEAN
 What Sam?


SAM
Dean, you know how this looks. We

salted and burned his bones. How could he come back from that?

Dean paces.


DEAN
I don’t know, Sammy. I mean, this

is dad. Everything about the man screams John Winchester.


SAM
I know, but it doesn’t seem

possible


DEAN
After all the things that we have

seen, and experienced, all the things that we have done. You can’t possibly say that.

Sam stops Dean from pacing, puts his arm on his shoulder.


SAM
We can’t say anything right now. We


just can’t.

The door opens. John stands behind it.



JOHN
I can hear you, ya know?


Sam and Dean look at John.


JOHN (CONT’D)
Come back in, we can discuss this

like men.

Dean looks at Sam, walks inside the door. Sam shakes his head, follows him in. Sam closes the door, stands by it.

JOHN (CONT’D) 
Take a seat, Sammy.

Sam shakes his head.


SAM
I’m good standing.



DEAN
Come on, Sam. We need to figure

this all out.


SAM
What is there to figure out, John

Winchester is back in his old body, which just so happens we salted and burned, and we don’t know how he got there, but our dad is talking to us right now.

DEAN
 Sam!

Sam walks over and sits at the table next to Dean.


DEAN (CONT’D)
And the douche award goes to.



JOHN
He has reason to be skeptical, I

don’t understand it myself. I’m here. It’s me. Now, are you gonna tell me about this case that you’ve got going on here?
(MORE)


JOHN (CONT'D)
Bobby filled me in on most of the

details, but what have you dug up? Sam props up.


SAM
You talked to Bobby?



JOHN
How do you think I got here?

Neither one of you would tell me where you were, I know Bobby would know. We went through this whole mess as well.


DEAN
So, Bobby knows. Why didn’t he call

us?

JOHN
 Maybe he tried.


SAM
He obviously failed.


Sam gets his cell phone out of his pocket, dials Bobby.


SAM (CONT’D)
No answer, that’s not like him.


John stands up, frustrated.


JOHN
We can debate this all day, or we

could go hunt a demon and save some people. Your call.

Sam pulls out his laptop from his duffle bag.


SAM
Sarah Lindley, we think that she is


a woman in white. Everything fits.

Dean rips papers off of the wall. Hands them to John.



DEAN
Sarah Lindley, 26 hung herself

after drowning her two children in the Coeur d’ Alene river, after finding out her husband was unfaithful. Basic story.


JOHN
Do you know who her husband was?



SAM
That we do, his name is Howard. He

still works at the mine, which is where we were earlier. He wasn’t there, but should be tonight.


JOHN
I didn’t know these mines were

still active.


SAM
Not for mining, but for tours. They

haven’t completely shut it down. The sheriff says kids would just break in and we could have ourselves another “ My Bloody Valentine” on our hands

Dean smirks, shakes his head.


DEAN
We also found out where she was

buried. And yes, all of her was buried.


JOHN
Well we gotta get to Howard. Tell

me where Sarah is buried, I will salt and burn her bones while you guys go and get to Howard.

Sam takes a deep breath in.


SAM
Are you sure you are up to it?



DEAN
Come on, Sammy. He is up for

anything.

Dean pats John on the shoulder. Dean grabs his jacket off the chair, puts it on.


JOHN
There is something else you guys


should know.

Dean fixes his shirt under his jacket.


DEAN
 What’s that?


JOHN
I got a tip... on Lucifer... I

stumbled across some insider information. I know where he is.

Sam and Dean look at John, then back at each other.


DEAN
Why didn’t you say anything?


Dean grabs his keys off the coffee table.

DEAN (CONT’D)
Let’s go.

 John shakes his head.


JOHN
You still have a job to do here.

You can’t just..


SAM
We have been lookin’ for him for

weeks, then you show up, outta no where, expecting us to just stay and not go chase the bastard?

Dean sits on the chair next to John.


DEAN
Dad is right, Sam. We need to

finish the job, we can’t just abandon these people.

Sam gives Dean a confused look. Dean stands back up, keys in hand.


JOHN
I will head to the grave. Just give

me the directions. You get Howard, we will meet here after it is all done. Keep your cell phones on.

Dean nods. John walks out the door, Dean follows, Sam lags behind.

DEAN
 Sam. Come on.

Sam shuffles his feet. Follows Dean.

EXT. WALLACE INN- DAY

John gets into an older model F-150, peels out. Dean waves and goes straight to the Impala. Sam fidgets, climbs into the passenger seat.


SAM
Don’t cha think this is a little

weird, Dean? He knows where Lucifer is and we have to wait until this case is over to find out? I don’t know about you, but this isn’t making a whole lotta sense to me.

Dean looks out the drivers side window, turns his head back to Sam.


SAM (CONT’D)
So?


DEAN
So what? Yeah, it’s a little

random, but what about our lives is really in place?

Sam shakes his head.


SAM
How can you, out of all people,

defend this? We don’t even know if it’s all dad, or any of him. We just have to have that blind faith in the man.


DEAN
Sometimes blind faith is all you

got, Sammy.


SAM
That’s not good enough this time,

Dean. I want real answers. I want to know that our dad is actually back, I want to know that he is gonna stick around and be the father that we always needed as kids.


DEAN
It’s too late for that.



SAM
For what? To have a childhood

maybe, but a father, no.


DEAN
No promises will be made. I

guarantee that. If it is the real John Winchester, you know he won’t make any promises. He never did.


SAM
You can’t tell me that after this

case you don’t wanna know where the Hell he came from?

Dean shakes his head, repeatedly, turns up the radio. Sam stares at Dean. Dean puts his right hand on the steering wheel, his left hand out the window and taps on the roof.

EXT. WALLACE MINE-MINUTES LATER
Dean and Sam pull up to the mine. Dean parks the Impala crooked in the parking lot. Dean turns off the car and gets out. Sam looks out the window, slowly opens the door.

A Girl screams.

Dean opens the trunk, pulls out shot guns and rock salt. Sam stands up out of the car, Dean throws Sam a gun.

DEAN
 Let’s go, Sammy.

Sam follows Dean into the mine. Dean Switches on a flashlight, holds in left hand, shot gun in right.

INT. WALLACE MINE-SECONDS LATER
The mine is cold, damp, dank. Sam and Dean walk with caution through the darkness.

SAM
 See anything?

DEAN
 Not yet.

Dean shines the flashlight down the mine, back at Sam.

DEAN (CONT’D)
 You heard that too, right?

Sam nods his head.


DEAN (CONT’D)
What the Hell. I mean, really, What

the Hell Sam?

SAM
 I don’t know.


INT. WALLACE MINE OFFICE

HOWARD,43, good looking guy, sits as his desk.


HOWARD (on phone)
Yeah, Clive. We should have that all dug up by Thursday. No, you don’t have to go somewhere else. Really, where else would you go? It’s always a pleasure doing business with you.


FADE TO:

Howard hangs up the phone. Shakes his head. Sexy Secretary enters.


SECRETARY
I’m gonna take off, is that OK?



HOWARD
I guess it is quitting time, isn’t

it. You can take off. I’ll stick around for a little bit.


SECRETARY
Sure you don’t want me to wait? I

would be happy to.

 Howard twirls his wedding ring.


HOWARD
No, it’s ok. One of the security

guards should be here soon. I won’t be alone for very long.


SECRETARY
If you are sure. There isn’t a

thing that I have to do this evening.

Howard checks his watch.


HOWARD
No, really. You don’t need to stay

around here any longer than you have to. I’m just going to make another phone call anyway.


SECRETARY
Suit yourself. See you tomorrow,


Howard.

Secretary leaves disappointed.


Howard picks up the phone, dials.

HOWARD (on phone)
Dan. How’s It going? Well thank you. Listen, I seem to have a problem. Clive needs those materials dug up by Thursday. I told him we had our best people working on it, and by best people, I mean you. (pause) Could you possibly pull in some overtime for this?

CLICK from the phone.

HOWARD (CONT’D)
 Hello? Dan?

Howard looks at the phone, fiddles with the cord.


HOWARD (CONT’D)
Must have been a bad connection.


CRASH comes from the mine. Howard stands. Pokes head out of office

HOWARD (CONT’D)

Hello?

Howard shrugs, walks back to his desk.


CRASH from mine.
Howard walks through the mine, flashlight in hand.


HOWARD (CONT’D)
 Anyone down here? I’m closing up
for the night.

 Howard’s watch beeps.
VOICE calls from the mine “HOWARD”

HOWARD (CONT’D)
 Who’s there?

Voice repeats “HOWARD”

Howard stumbles, falls to the ground.


HOWARD (CONT’D)
This isn’t funny, whoever this is.


SARAH LINDLEY, white dress, pale skin, red eyes appears behind Howard.


SARAH LINDLEY
Don’t you know your own wife’s


voice?

Howard breathes a sigh of relief.



HOWARD
Shana, You scared the Hell outta

me.

SARAH LINDLEY
 Shana? Who is that?

Howard turns around.

HOWARD
 Sarah? How

SARAH LINDLEY
 Hello Howard. Miss me?

Sarah bends and touches Howard. Loud Scream.

INT WALLACE MINE

FADE TO:
Dean turns around, shines the flashlight,stops in his tracks. A WOMAN stands in front of him.

SARAH LINDLEY
 Hello boys.



END OF ACT TWO




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ACT THREE

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INT. WALLACE MINE
SARAH LINDLEY stands in front of the boys. White dress, pale face, red eyes.


DEAN
I have had about enough of your

kind.


SARAH
And what kind would that be?



DEAN
Selfish spirits who can’t let go.

You are just holding on to nothing, you know that?

Sarah flings Dean against the wall.


SARAH
Selfish, huh? We will see about

that.


DEAN
Does something seem a bit off to

you, Sam?

Dean dangles, moves his head towards Sam. Sam reaches for a gun from the duffle bag.

DEAN (CONT’D) 
Something about you just seems to
be extra special about you.


SARAH
Really, I guess I’m just good at my

job.


DEAN
No, I think your flavor is just

extra bitchy.

Sam loads the gun. Sarah motions her hand, the gun falls to the ground. Sarah looks back at Dean.


SARAH
I think you should watch your tone,

Dean. I seem to be capable of a lot, you know. And that rock salt won’t work on me.


SAM
Dean, I don’t think she is just


a

Sarah flings Sam against the wall.



SARAH
What? Just a spirit? My my Sam, you

catch on as fast as they say. It’s hard to believe that you were dumb enough to trust a demon once.

SAM 
Shut up.


SARAH LINDLEY
What was her name again? Oh yeah

right.

SAM
 I mean it.


SARAH LINDLEY
Oh yes, Ruby. You know what is

funny about that, there wasn’t even a demon that liked her. Talk about a demon’s demon. And you fell for it. We were all so surprised when that happened. I don’t think even Lucifer saw that one.


DEAN
You think that stuff is really

going to shake him? He’s heard it all, sister.


SARAH LINDLEY
Oh, it looks like it is. Look at

him, he’s quite squeamish.


DEAN
Nah, he always looks like that,

right, Sammy?


SARAH LINDLEY
Awe, isn’t that cute, one brother

sticking up for the other. Wait, isn’t that how it always happens in your story? One brother builds up the other, and we are all supposed to believe it. Like that really works for anyone anymore, really.

Sam nods.

SAM
 We do ok.

SARAH LINDLEY
 Yeah, by ok, you mean the
Apocalypse. Come on, Sam. Own up.


SAM
I know what I did, I’m not proud of

it.


SARAH LINDLEY
Oh, but you should be. You single

handedly started the end of the world. Bravo.

Sarah claps.


DEAN
Listen you bitch. We can stop it

and we will. You best be believing that.


SARAH LINDLEY
You brush this off like its not the

end of the world, but it is. This isn’t some small job you can bounce back from. Millions and millions of people are going to die, each one of them your fault.


SAM
You think I don’t know this?



SARAH LINDLEY
I don’t think it even computes for

you. When Lucifer takes you over, you won’t be able to hide from it. You’re eyes will be stuck open to see all these people die. It won’t end, Sam. It will never end. Do you know what never is? No stopping. The rivers and lakes will run with blood. Rail will be tears, tears of the parents that lost their children, all because of deal old Sammy Winchester.

DEAN You need to stop.

Sarah waves her hand, silences Dean.


SARAH LINDLEY
Oh but Dean, you know it’s true.


Turns to look at Sam.

SARAH LINDLEY (CONT’D)
 Little Sammy here, you're really
small now, weak, broken. Well you know what they say, what doesn't break you... Well this time, it made us stronger. Thanks for that.

SAM
 You bitch.


SARAH LINDLEY
Can’t take the heat, stay out of

the kitchen, Sam.

 Sarah turns to Dean.


DEAN
Don’t even start with me,

sweetheart.


SARAH LINDLEY
Tisk tisk, a little testy, aren’t

we? Don’t act like you are the innocent one, cause we all know the skeletons that lie in your closet.

Dean struggles.

SARAH LINDLEY (CONT’D) 
You really think that you can go up
against Lucifer? The two of you can’t even fight off a simple ghost without getting yourselves into trouble.

SAM
 We’ve wasted worse.


SARAH LINDLEY
Oh, was that a shot at me? Sam you should know better. I hold all the

cards here.


SAM
From what we can tell, you have a

loosing hand.

SARAH LINDLEY
Clever.


DEAN
Oh, you better believe him. How do

you know we don’t have a back up plan?


SARAH LINDLEY
From what I hear, the Winchester’s never have a back up plan. I think

I’m safe.


DEAN
You seem to know a whole lot about

us.


SARAH LINDLEY
Well, you boys are a hot topic

these days. You can only piss off so many demons before we all start to hear about it.

Sam and Dean can only move their heads.


DEAN
Being a spirit wasn’t enough for

you? Let me guess, you asked for this, right? To be able to walk and not float?


SARAH
You think I wanted this?



SAM
Why else would you be here?



SARAH
It’s like killing two birds with

one store, so to speak. Now, you just hang in there. There is someone I must see.

Across the mine, Howard hangs on the wall. Sam struggles to move.

HOWARD
 What’s going on?


SARAH
My dear Howard. There is a lot of

explaining that needs to be done, but I don’t have time for any of that. Let’s just get to the punch line, shall we.


DEAN
Howard, whatever she tells you,

it’s lies. Don’t listen to it.


SARAH
Why are you trying to get in

between me and my Howard?

Sarah walks over to Dean. Scratches his chest. Dean oozes blood.

DEAN (in pain)
This was my good shirt.


SAM
We know what really happened,

Sarah. Howard wasn’t responsible for anything.


DEAN
It won’t work, Sam. Not if a demon

is controlling the angry spirit, it will just light the fire.


SARAH
And the fire must be lit.


Sarah walks back to Howard.


HOWARD
Please, Sarah. I didn’t do

anything. Please. You were here one day and gone the next. I didn’t know where you went. I had to move on with my life.


SARAH
And you didn’t think that would

hurt me, Howard? You didn’t even try to find out what happened to me, why I did what I did.


HOWARD
I didn’t know. You were gone. Our

kids were gone. I thought you just left me, Sarah. I never found out what really happened. Just the rumors, that’s all there was. I never believed that you would hurt our children.


SARAH
I had to, Howard. Don’t you see.

You made me do this. It was your fault. If you would have been faithful.


HOWARD
I was never unfaithful, Sarah. I

was only with you. It wasn’t until after you were gone, for years.


SARAH
I understand, you had to get over

me you had to move on.


HOWARD
Yes. Now, you can let these boys

go, we can talk about this.


SARAH
Howard, I can’t let them go, they

want to kill me. They would just take me away from you again, is that what you want?


HOWARD
Of course not. Why would I want

that?


SARAH
You were always so sweet.


She kisses his cheek. Breaks his neck. Howard falls to the ground.


SARAH (CONT’D)
It felt good to do something again,

get my hands dirty

Sarah walks over to Sam, puts her icy hands around his throat.


SARAH (CONT’D)
Oh, Sam. It will be fun watching

you die.

Sam’s feet dangle, Dean struggles. She runs her finger down Sam’s chest.

SAM
 Go to Hell!

Sarah takes a step back, bursts into flames. Sam and Dean fall to the floor.


DEAN
Nice timing on that one, Sammy.



SAM
Wasn’t me, must have been..



DEAN
Dad. You can say it.



SAM
Well, it worked whatever it was.


Sam helps Dean up. They exit the mine.
 EXT. WALLACE MINE
Sam helps Dean into the passenger seat of the impala. Sam drives.


SAM
Keep pressure on that.



DEAN
Yeah, Sam. You act like this is the

first time I’ve been stabbed, or scratched, or maimed.


SAM
I know. That was just... close.

Really close.


DEAN
We would have gotten out of it. We

have gotten out of worse.


SAM
Ya sure? I don’t know Dean. She was

pretty pissed. Whoever she was


DEAN
Dad came through, Sammy. You should

see that, now more than ever.

Sam clenches the steering wheel. Dean puts pressure on his wound.



END OF ACT THREE




page32image12064
ACT FOUR




page33image1336
EXT. WALLACE INN
Sam pulls into a parking spot. Exits car, helps Dean out of car.

SAM
 Isn’t that?

Points to the truck in the space across.

DEAN
 Yep, he’s back.

Sam puts Dean’s arm around his shoulders, helps him inside the room.

INT. WALLACE INN
Sam lays Dean on the bed, goes to the bathroom. Grabs cloth and damps it.


SAM
You sure got back here quick.


John sits at the table, sips on a beer.


JOHN
I’ve been to this town, once or

twice.

SAM
 Wallace, really?


JOHN
Yeah, stopped in from time to time.


SAM
 Stopped in?

Sam gives Dean the cloth to clean his wound.

JOHN
 That hurt?


DEAN
Feels kinda good actually. Real

pain from a real demon.


JOHN
Demon? I thought she was just a

spirit?


SAM
That’s what we thought too.



DEAN
She started mouthing off, and she

knew us. Spirits don’t know us. Demons do.

JOHN
 What did she say?


SAM
The usual. We are pretty hated by

the entire demon population.


JOHN
What would be the usual?



DEAN
Oh you know, we live up to our

reputations, Sam started the apocalypse.

Sam clears his throat.


JOHN
She didn’t shake you, did she?



DEAN
Nah, don’t worry. Sam is stone.


Dean shakes his head.

SAM
 I was fine.


JOHN
Ya sure, son. You can get riled

up.


SAM
It’s not like I haven’t heard it

before. I have come to terms

DEAN
 Sam.

SAM
 What?


DEAN
It’s ok. You don’t have to..


Dean nods.


SAM
No, Dean. I do. I know what I did,

and I know how messed up it was. On my own I brought on the end of the world.

DEAN
 Sam.


SAM
Don’t protect me, Dean.


JOHN 
He’s right.


JOHN (CONT’D)
Don’t protect him anymore, Dean.

You can’t always protect him.

 Dean looks at John.


DEAN
Why do I feel like it’s opposite

day?


JOHN
I say it with the best intent.



DEAN
Best intent? When you I don’t know,

died, or whatever, you specifically told me to look out for Sam, to save him. Why is it all of a sudden, “back off Dean’?


JOHN
He’s just gotta learn. You still

need to look out for him, just in a different way than what you are used to. More of a silent way.


DEAN
Oh ya, cause that makes a lot of

friggin; sense.

JOHN
 You’ll see.


SAM
I don’t mind having Dean look out

for me, ya know? I just know what I did...


JOHN
I know, Sammy. I know.


Dean rolls his eyes.


DEAN
We were talking about a demon

right?


JOHN
Yeah. How did this happen?


Points to Dean’s wound.


DEAN
I think she liked me.


JOHN 
Sorry, boys.

DEAN
 For what?

JOHN
 Falling behind


DEAN
Behind? Another minute and we would

have been Hell bound.


SAM
A minute? More like seconds.



JOHN
It was taking longer than I thought

to find the corpse.


SAM
You should have let one of us go

with you


JOHN
For what? To prove me wrong? To see

that I’m not really your dad? What Sam?

DEAN
 To help you dig.


JOHN
I’m sure that’s not what you meant,

right Sam?

SAM
 Yeah, well.

DEAN
 Sam.


JOHN
It’s fine, Dean. He can believe

what he wants. I’m not going to force him to listen to me. I’m not going to make the same mistakes that I made before.

Dean gets up, walks to the fridge, grabs a beer.


DEAN
I think we all deserve one of

these. Sam?

 Sam shakes his head.

DEAN (CONT’D) Suit yourself.

JOHN
 Wichita.

DEAN
 What?


JOHN
Wichita, Kansas. That is where you


can find Lucifer.

Sam and Dean look at each other.


DEAN
 Wichita huh?


JOHN
Yeah. There has been demonic omens,

worse than anyone has ever seen before. Bobby and I found a bunch of them in the matter of hours. No telling how long he will actually be there, as of yesterday he was seeming to make a new home for himself.


SAM
What are we waiting for, let’s go.



JOHN
It’s not that easy, Sammy. There is

traps set up all around that town. You can’t just walk in.


DEAN
So, we’ll fight ‘em. The three of

us together can do it. We can even get Bobby in on this action.


JOHN
No, not the three of us.


DEAN
 What?


JOHN
I have to take some time, to get my

strength back. There is no way I can go fighting Lucifer in my condition. I’m not ready yet.


SAM
You must be our dad. Bailing when

really needed.

JOHN
 Sam.


DEAN
He’s right. We have been let down

by you more times than we can actually count. Whenever the tough comes, John gets going.


JOHN
What would you rather have me do?

Go in tired, get all of us killed?


DEAN
At this point, yes.



SAM
It’s fine, Dean. Let him go.


Dean looks at Sam.


SAM (CONT’D)
You should get rest. We all need to

be prepared for this. John smiles at Sam.


JOHN
I wouldn’t expect you being the one

to stand up for me, Sammy.


SAM
You are right, this time. You

deserve to be backed up. Dean stands.


DEAN
Wait. This really isn’t a good

idea. You need to be listening to me. We should stay together. You can rest, get your strength back and we can hatch a plan.


JOHN
Sorry, Dean. That just won’t work.

I have to be on my own to heal faster. I know that if I’m with you boys I will just want to help. I need to be on my own for this.

Dean rolls his eyes. John stands.


JOHN (CONT’D)
It was great to see you boys. Don’t

worry, I will keep in touch and see you in a few days. Wichita.

Sam stands, walks towards John.

JOHN (CONT’D)
 Sammy. Take care of yourself.

SAM Yeah, I will.

John shakes hands with Sam. John walks towards Dean.


JOHN
Dean. It will be OK. A few days.


DEAN
 Yeah, OK.

They shake hands.

JOHN
 Take care boys.

John walks out the door. Slams it behind him.

Dean sits back in a chair.


DEAN
I can’t explain it, Sammy.

SAM Explain what?


DEAN
That was our dad. I don’t know how,

I don’t know how, but that was him.
Sam picks the keys up off the table.

DEAN (CONT’D)
 Where are you going?
SAM Graveyard. Ya coming?

Sam exits the room. Dean grabs a jacket, follows behind. 
EXT. WALLACE INN
Sam jumps into the Impala drivers seat. Dean climbs in the passenger seat.


SAM
There is only one problem there,

Dean.


DEAN
And what would that be?



SAM
How long have we been hunting?


DEAN
 Uh. What?

SAM
 Humor me, Dean.

DEAN
 All our lives.


SAM
And have you ever seen a demon

being wasted by salting and burning their bones?

DEAN
 What’s your point?


SAM
“Dad” couldn’t do that. Whoever

killed the demon would have to be in the room with the demon, and neither one of us were mouthing any incantations


DEAN
So you are saying that.



SAM
Demons don’t burst into flames for

no reason, unless something bigger comes after them.


DEAN
Something bigger as in Lucifer

bigger?


SAM
I’m just saying Dean. What else

could it be?


DEAN
You can’t just accept it, can you?



SAM
It just isn’t.


DEAN
 Sam.


SAM
I know, you don’t agree.



EXT. GRAVEYARD
Sam parks the car. Exits.



DEAN
I just wish you would see it,

Sammy.

Sam shakes his head.
They walk through the graveyard.

DEAN (CONT’D)
 There it is.
Dean motions towards the grave.


SAM
I tried, Dean. I did.


They stop in front of the grave.
EXT. WALLACE INN


CUT TO:
John sits on a bench across the parking lot. Holds his head in his hands.


CUT TO:

EXT. WALLACE INN
Sam and Dean park the car, exit. They enter the room. INT. WALLACE INN



Sam smiles slightly.
Dean drinks his beer.
Sam walks to the window, peaks out.



DEAN
Come on, Sam. Get a move on.


SAM
 Yeah.


DEAN
Don’t forget the porn under the


mattress.

Sam shakes his head. Laughs.


DEAN (CONT’D)
 Sorry, Sammy.


SAM
It’s ok. We will figure it out in

Wichita.

 Dean holds up his beer.

DEAN
 To Wichita.
Dean drinks the beer. Sam smiles.

END OF ACT FOUR

page43image1400


page44image1296
EXT. WALLACE INN

John stands outside the motel room window. He watches the boys. The boys move around, pack their belongings.
John puts his hand on the window, walks around the building.
John’s eyes turn white, he smiles. John disappears into thin air.


FADE TO BLACK.